Wench
Wench. Dolen Perins-Valdez. 2010. HarperCollins. 293 pages.

Six slaves sat in a triangle, three women, three men, the men half nestled in the sticky heat of thighs, straining their heads away from the pain of the tightly woven ropes. The six chatted softly among themselves, about the Ohio weather, about how they didn’t mind it because they all felt they were better suited to this climate. They were guarded in their speech, as if the long stretch between them and the resort property were just a Juba dance away.

Wench is a historical novel set (primarily) in the 1850s, at a summer resort in Ohio. A resort where slaveowners were able to ‘vacation’ openly with their slave wenches. (Slaves were still expected to work, to make themselves useful to anyone and everyone.) Wench portrays the struggles of four slave women–their complicated relationships with their masters, mistresses, and even each other. Lizzie, our heroine, has a complex relationship with her master, Drayle, for unlike the other slave women she feels she actually loves him. The relationship is complex–readers see much of this through flashbacks. They learn how the relationship began–and how it has continued through the years resulting in the birth of a son and daughter. Drayle’s only children. Lizzie prays for freedom for her two children. Her one desire is to have her children be freed by their father. But so far, her requests have been refused.

Reenie, Sweet, and Mawu are the other three slave women readers meet in Wench. Each has a heartbreaking story. We see these characters through their relationship with Lizzie. We learn their stories through Lizzie. Because of these friendships, Lizzie’s life will be changed.

Wench is a compelling novel. Once I started reading, it was difficult to put down. It was easy for me to care about these characters. It was intense and emotional in many ways–because their lives were bittersweet at best. I would definitely recommend this one!

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 Jane Eyre The Graphic Novel: Original Text
Jane Eyre The Graphic Novel: Original Text. Charlotte Bronte. 2009. Classical Comics. 144 pages.

I am not always a graphic novel fan. But. I just LOVED this one. I did. It’s Jane Eyre, so the potential to be great was there of course. I chose to read the version that uses the original text of the novel in its narration/dialogue. (There is a QuickText edition as well.)

I thought they did a GREAT job illustrating this one. I thought they did a wonderful job with Jane Eyre and Edward Rochester–capturing the romance between these two! I also liked seeing the artistic interpretation of the novel’s themes. I had forgotten how religion/faith is a central part of this one. (Primarily we see this through Helen–Jane’s childhood friend–and Jane’s missionary cousin.)

For my thoughts on the novel–on the story itself, see my review of the novel.

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These are a few of my favorite ‘first’ lines read in August 2010.

Once upon a time, fairy tales were awesome.

Everyone thinks children are sweet as Necco Wafters, but I’ve lived long enough to know the truth: kids are rotten. The only difference between grown-ups and kids is that grown-ups go to jail for murder. Kids get away with it.

Come to think of it, the day my brother tried to eat his first-grade teacher turned out to be the same day that my dad brought me home a very, very strange cat.

I don’t want to die, I thought. Not again.

The big question: Is Origami Yoda real? Well, of course, he’s real. I mean, he’s a real finger puppet made out of a real piece of paper. But I mean: Is he REAL? Does he really know things? Can he see the future? Does he use the force?

Emma Woodhouse–handsome, clever, and rich, with a comfortable home and happy disposition–had lived nearly twenty-one years in the world with very little to distress her. Until the vampire attacks began.

August’s Top Five:

A Tale Dark and Grimm. Adam Gidwitz.
The Convenient Marriage. By Georgette Heyer. (1934) Read by Richard Armitage. (2010)
To Kill A Mockingbird. Harper Lee.
Turtle in Paradise. Jennifer L. Holm.
Pocketful of Posies: A Treasury of Nursery Rhymes. Salley Mavor

Number of Board Books: 6

Baby’s Book Tower. By Leslie Patricelli. 2010. August 2010. Candlewick. 96 pages.
Count My Kisses, Little One. Ruthie May. Illustrated by Tamsin Ainslie. 2010. August 2010. Scholastic. 24 pages.
Five Little Ducks. Beth Harwood. Illustrated by Emma Dodd. 2008. Amazing Baby. 10 pages.
Time for Bed. Mem Fox. Illustrated by Jane Dyer. 1993/2010. Houghton Mifflin Harcourt. 28 pages.
Amazing Baby: Clap and Sing. Emma Dodd. 2007. Silver Dolphin. 12 pages.
Princess Baby On the Go. Karen Katz. 2010. August 2010. Random House. 14 pages.

Number of Picture Books: 10

Dog Loves Books. Louise Yates. 2010. July 2010. Random House. 32 pages.
Too Pickley! By Jean Reidy. Illustrated by Genevieve Leloup. 2010. July 2010. Bloomsbury. 32 pages.
Don’t Let the Pigeon Stay Up Late. Mo Willems. 2006. Hyperion. 40 pages.
Piggy Pie Po. Audrey & Don Wood. 2010. September 2010. Houghton Mifflin Harcourt. 32 pages.
The Most Amazing Hide-and-Seek Alphabet Book. Robert Crowther. 1999/2010. August 2010. Candlewick. 12 pages.
The Most Amazing Hide-and-Seek Numbers Book. Robert Crowther. 2010. August 2010. (1999) Candlewick. 12 pages.
Time to Sleep, Sheep the Sheep! Mo Willems. 2010. HarperCollins. 32 pages.
One Smart Cookie: Bite Size Lessons for the School Years and Beyond. By Amy Krouse Rosenthal. Illustrated by Jane Dyer & Brooke Dyer. 2010. HarperCollins. 40 pages.
Chicken Big. Keith Graves. 2010. Chronicle Books. 40 pages.
It’s A Book. Lane Smith. 2010. August 2010. Roaring Brook Press. 32 pages.

Number of Children’s Books: 6

In Too Deep (The 39 Clues #6) Jude Watson. 2009. Scholastic. 206 pages.
Complete Adventures of Curious George: 70th Anniversary Edition. Margret and H.A. Rey. 2010. Houghton Mifflin Harcourt. 432 pages.
Curious George Storybook Collection. 2010. September 2010. Houghton Mifflin Harcourt. 197 pages.
Otter Everywhere: Brand New Readers. By Christine Webster. Illustrated by Tim Nihoff. 2007. Candlewick Press. 48 pages.
Brand New Readers: Termite Tales. Kathy Caple. 2009. Candlewick Press. 48 pages.
Brand New Readers: Larry and Rita. Jamie Michalak. Illustrated by Jill Newton. 2007. Candlewick Press. 48 pages.Link

Number of Middle Grade: 7

A Tale Dark and Grimm. Adam Gidwitz. 2010. November 2010. Penguin. 192 pages.
Leaving Gee’s Bend. Irene Latham. 2010. Penguin. 240 pages.
The Strange Case of Origami Yoda. Tom Angleberger. 2010. Harry N. Abrams. 141 pages.
Knightley Academy. Violet Haberdasher. 2010. Simon & Schuster. 469 pages.
Crunch. Leslie Connor. 2010. HarperCollins. 336 pages.
The Witchy Worries of Abbie Adams. Rhonda Hayter. 2010. Penguin. 256 pages.
Turtle in Paradise. Jennifer L. Holm. 2010. Random House. 208 pages.

Number of YA: 6

Kiss of Life. Daniel Waters. 2009. Hyperion. 416 pages.
Glimpse. Carol Lynch Williams. 2010. June 2010. Simon & Schuster. 496 pages.
Passing Strange (Generation Dead #3). Daniel Waters. Hyperion. 400 pages.
Sphinx’s Princess. Esther Friesner. 2009. Random House. 384 pages.
Shiver. Maggie Stiefvater. 2009. Scholastic. 400 pages.
The Half-Life of Planets. Emily Franklin. and Brendan Halpin. 2010. Hyperion. 256 pages.

Number of Adult: 7

The Convenient Marriage. By Georgette Heyer. (1934) Read by Richard Armitage. 2010. August 2010. Naxos Audiobooks. 5 hrs. 6 minutes.
Beauvallet. Georgette Heyer. 1929/2010. Sourcebooks. 301 pages.
Emma and the Vampires by Wayne Josephson. 2010. Sourcebooks. 304 pages.
April Lady. Georgette Heyer. 1957/2005. Harlequin. 270 pages.
The Foundling. Georgette Heyer. 1948/2009. Sourcebooks. 439 pages.
To Kill A Mockingbird. Harper Lee. 1960. 281 pages.
Civil Contract. Georgette Heyer. 1961/2009. Harlequin. 432 pages.

Number of Christian: 6

The Discipline of Spiritual Discernment. Tim Challies. 2007. Crossway Publishers. 208 pages.
Masquerade by Nancy Moser. 2010. Bethany House. 368 pages.
George Whitefield: God’s Anointed Servant in the Great Revival of the Eighteenth Century. Arnold A. Dallimore. 2010. Crossway Publishers. 224 pages.
The Devil in Pew Number Seven: A True Story. Rebecca Nichols Alonzo with Bob DeMoss. 2010. Tyndale. 288 pages.
Choosing to SEE: A Journey of Struggle and Hope. Mary Beth Chapman. With Ellen Vaughn. 2010. Revell. 288 pages.
The Vigilante’s Bride. Yvonne Harris. 2010. Bethany House. 304 pages.

Number of Nonfiction:

Number of Graphic Novels: 2

Koko Be Good. Jen Wang. 2010. September 2010. First Second. 304 pages.
Frankenstein The Graphic Novel: Original Text. Mary Shelley. 2008. Script Adaptation by Jason Cobley, American English Adaptation: Joe Sutcliff Sanders. Illustrations by Declan Shalvey, Jason Cardy & Kat Nicholson, etc. Classical Comics. 144 pages.

Number of Poetry: 1

Pocketful of Posies: A Treasury of Nursery Rhymes. Salley Mavor. 2010. September 2010. Houghton Mifflin. 72 pages.

Number of Short Story Collections/Anthologies:

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 Vigilantes Bride
The Vigilante’s Bride. Yvonne Harris. 2010. Bethany House. 304 pages.

“Marry him? I most certainly will not. Why, I’ve never laid eyes on the man!”

Luke Sullivan didn’t exactly know what the consequences would be when he decided to rob the stagecoach. He’s not exactly a criminal. Just a hero with a momentary weakness–he’d just learned some surprising news about his past, his father, something that attributes blame to the rancher, Bartholomew Axel. Sullivan feels that Axel owes him a bit of money, and, that is his justification.

But what Sullivan didn’t know was that the stagecoach was carrying a beautiful young woman to her would-be-husband. She’s been purchased by a rancher. Three guesses as to who…yes, Sullivan’s enemy, Bartholomew Axel. Sullivan can’t in good conscience leave this woman to her fate. She has to be made to see the truth. That Axel is old, ugly, cruel, mean, and a bully. He’s not fit to be any woman’s husband. Since Emily McCarthy has never met him, and isn’t exactly thrilled with the arrangement to begin with, it’s not that big a struggle. Not that she’s happy to be ‘kidnapped.’ But she doesn’t consider it a crime for long. Especially after meeting Axel a few days later! No, Emily soon thinks that Luke may be the hero of her dreams.

Will Emily find her place in Montana? Will Luke Sullivan find a wife?

I liked this one. It is historical romance–Montana 1880s–with plenty of adventure and drama. I don’t think it’s the best Christian romance I’ve read this year. But I’ve certainly read worse.

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 Frankenstein
Frankenstein The Graphic Novel: Original Text. Mary Shelley. 2008. Script Adaptation by Jason Cobley, American English Adaptation: Joe Sutcliff Sanders. Illustrations by Declan Shalvey, Jason Cardy & Kat Nicholson, etc. Classical Comics. 144 pages.

From the letters of Robert Walton:

Letter I – December 11th

My dear sister…
I am already far north of London; I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight.

I love Frankenstein. I do. I consider it one of my favorite books. It is one that I love to reread whenever I get the chance. So I was happy to read this graphic novel adaptation of the original text. I was curious to see if I’d enjoy it. I’m not a big fan of graphic novels. But. Since I love Frankenstein so much, I wanted to give it a chance. I’m glad I did. I thought they did a great job in telling the story of Victor Frankenstein’s monstrous creation.

For those that may be unfamiliar with the book, it is the story of a young man, Victor Frankenstein, whose obsession leads him to the dark side. He becomes consumed with trying to resurrect the dead. He pieces together a creature, a being. He is not beautiful to look upon–even before he’s brought to life–and he’s quite taller than your average human. He was built to intimidate, in a way, though Frankenstein seems in denial about this until it is much too late! (I’ve always been curious as to HOW Frankenstein could be surprised by the creature’s appearance. How tall, how strong, how ugly. Was he not in his lab every single day and night with the creature? Did he not build him piece by piece by piece? If the creature is ugly, it’s because Frankenstein made him that way.) When the time comes, when the creature is brought to life, Victor Frankenstein panics and abandons his creation. His madness gave birth to an unnatural being, and Victor does NOT want to be credited as his creator. Yet. Denial and neglect does not negate the fact that Victor IS responsible. Victor Frankenstein tried to play god–and the result is a demon, a devil.

Readers get this story from Victor and from his creation. Readers hear the creature’s sad story. Of his confusion, of his frustration, of his pains and miseries, of his rejection. The creature, at first, is trying to survive and learn. He does have hopeful moments in the beginning. He finds a family to watch. He learns about humans, about family, about reading and writing. He gets a glimpse of “the good life.” But he soon learns that this “good life” will never be his. Because before he can even utter a word, men, women, and children shriek in terror. Every person he encounters fears him. Every person responds in violence. Soon, this creature begins to treat others as they treat him. If they expect violence, he’ll give them violence. He wanted compassion, but it seems even from his creator–the only man who has a duty, perhaps, to love–that that is an impossible dream. The creature tries to reason with his creator, then he tries threats. And, yes, he does incredibly violent things. In revenge. In anger. There is no excuse for this violence.

So who is to be pitied more? Victor Frankenstein? Or the creature? Is either deserving of sympathy? of friendship? Have you read Frankenstein? What do you think of this classic? What do you think about graphic adaptations of classics?

(There is another edition available from Classical Comics which abridges and updates the text.)

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 Turtle in Paradise (MG)
Turtle in Paradise. Jennifer L. Holm. 2010. Random House. 208 pages.

Everyone thinks children are sweet as Necco Wafters, but I’ve lived long enough to know the truth: kids are rotten. The only difference between grown-ups and kids is that grown-ups go to jail for murder. Kids get away with it.

There are so many things to love about Turtle in Paradise. I loved the narrator, Turtle. I loved the characterization and the storytelling. I loved the writing. (Jennifer Holm has a way with words!) I loved the setting: Key West, Florida, 1930s. I loved the little details that help a reader feel settled in a specific time and place. In this case, Turtle’s love of comics (like Little Orphan Annie and Terry and the Pirates) and radio dramas (the Shadow) and her dislike of Shirley Temple.

The book stars an eleven year old, Turtle, who is moving from Pennsylvania to Florida. She is meeting her mother’s family for the first time. She’s coming to stay with her aunt and her cousins. (Her mom is staying behind with the new boyfriend and the new job.) It’s a “surprise” visit too. Minnie has no idea her sister is sending her daughter to stay with her. Will Turtle fit in with her cousins Buddy, Beans, and Kermit? Will she get along with Aunt Minnie? And what about her grandmother?! Turtle didn’t even know she had a grandmother living until she settled into her new life. Will Turtle find a way to open up with this new family, and make a place for herself in this new community? Will she find a way to be in the Diaper Gang even if she is a girl?

I would definitely recommend this one. I think it would make a great read aloud. It’s got heart, humor, and adventure!

My favorite quotes:

Kids lie. We have to or we’d never get anything. But grown-ups lie, too–they just do it differently. They leave things out; they don’t give you the whole story. (51)

In my opinion, the fellas who make Hollywood pictures are really just salesmen. Instead of peddling girdles, they sell thrills and chills, and folks eat them up. Not me, though. I’m no sucker. I know there’s no such thing as giant apes climbing skyscrapers or mummies walking out of tombs. But just try telling that to the boys. (123)

It’s a fact: if a kid is being nice, he’s probably up to no good. (131)

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c763c3788alarge.jpg Top Ten Picks: Fictional Places
Random Ramblings Top Ten Picks topic this week is fictional places. The list can be a mix of places we’d love to visit and places we wouldn’t ever really want to visit.

Prince Edward Island. The Anne series by L.M. Montgomery.

Barchester. Chronicles of Barsetshire by Anthony Trollope.

The Shire. Tolkien’s novels.

Regency England. Various romance novels of Georgette Heyer, Julia Quinn, etc.

Narnia. Chronicles of Narnia by C.S. Lewis

Gracehope. First Light. Rebecca Stead.

Archipelago of Dreams. The Chronicles of The Imaginarium Geographica. James. A. Owen.

Ingary. Howl’s Moving Castle. Diana Wynne Jones.

Hundred Acre Woods. The World of Pooh by A.A. Milne.

Willy Wonka’s Chocolate Factory. Charlie and the Chocolate Factory. Roald Dahl.

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 The Half-Life of Planets (YA)
The Half-Life of Planets. Emily Franklin. and Brendan Halpin. 2010. Hyperion. 256 pages.

I am not a slut.

Liana and Hank narrate The Half-Life of Planets. These two strangers meet in the women’s bathroom at a hospital. What starts out as an awkward beginning turns into much more…over the course of a summer. What develops is a slightly awkward–but in a good way–relationship between two misunderstood people.

They bond over music. They bond over loss. Most of all, they just enjoy being with one another. Not in a romantic way. Not for Liana. Not at first. She’s determined that this will be the summer of no kissing. For Hank, it’s as close to love as he’s ever gotten. Liana is his best chance to be kissed, to be loved. Why? Hank has Asperger’s syndrome and relationships just don’t come easy for him–let alone romantic ones. But he’s trying so hard to get things right…and in her own way Liana is too. Because before the school year ended, she received an anonymous note in her letter calling her a slut. So she’s trying to find out if the label is true. If someone’s perception of her matches reality in any way.

I didn’t exactly love this one. But. I did like it. Hank was my favorite of the two narrators.

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956b376466751610.jpg Civil Contract
Civil Contract. Georgette Heyer. 1961/2009. Harlequin. 432 pages.

“The library at Fontley Priory, like most of the principal apartments in the sprawling building, looked to the south-east, commanding a prospect of informal gardens and a plantation of poplars, which acted as a wind-break and screened from view the monotony of the fen beyond.”

Okay, so that first sentence doesn’t even hint at what the story is about. And it offers little incentive to the reader. Fortunately, most readers need only hear Georgette Heyer’s name to know that this may be a gem of a book. For those that aren’t the “most” in the readers listed above, I’d like to think I’m doing my part. A Civil Contract is a satisfying read in a very gentle and subtle manner. I enjoyed it. Enjoyed the characters and the subtle complexities of its non-plot. This is a very human novel.

You’re probably wondering, but what is it about??? Adam Deveril is a soldier whose father has just died. He’s inherited a title–he’s now Viscount Lynton–but he’s also inherited an overwhelming debt. A debt that is due to negligence, gambling, and mismanagement. He’s got a mother (Dowager is how she’s referred to in the text), and two sisters Charlotte and Lydia. Charlotte is engaged to be married, so she’s not one of his primary concerns. However, his mother and sister are. He’s been advised that he should marry for money. He finds the idea repugnant. Especially at first. But even Lydia, his younger sister, knows that sacrifices are called for in this occasion. It is her discussions of how she needs to be marry an older man for his money to “rescue” the family, that has Adam pondering how much he’s willing to do for his family.

475393c025ntract.jpg Civil ContractThe family home, Fontley, is at risk. All their property is at risk–most of their holdings are mortgaged already. And only their townhouse and Fontley remain. Adam feels that the honorable thing to do would be to sell everything they can and hope to break even. That is hope they have enough money to settle their debts. Whatever small amount may be left would be settled upon his sister for her dowry. He’s not worried so much for himself, for his comfort. He knows that he can go soldiering again and live on his pay if need be.

Of course, this newly-discovered money problem does mean that he cannot marry his first love, his supposed one and only love Julia Oversley. They met when he was injured. She became enamored with a vision of a dashing, heroic soldier. He became enamored of her beauty and charm. The parents consented at the time, though Lord Oversley did feel they weren’t well suited for one another. But now that he’s poor and soon to be without a home, he knows the only honorable thing is to break the engagement. Oversley does agree with him. Julia’s brokenhearted. Adam is melancholy but resolved that he’s doing the right thing, the responsible thing.

Enter Jonathan Chawleigh. A very wealthy man, but not “genteel” or gentle bred. Oversley introduces the impoverished Adam to Chawleigh with the hopes that they can solve each other problems. Chawleigh has high hopes for his daughter, his only child, Jenny. He wants to see her marry a proper gentleman, a man with a title, a man with dignity and distinction. A man that is part of the ton. Adam is shocked at first, but the more he considers the idea, the more he comes to feel it would be doing the better thing for his family–his mother and sister. The couple does meet first. And Chawleigh was right, Jenny doesn’t overwhelm men with her beauty and charm and grace. She’s the opposite of Julia in a way. Shy. Intelligent. Meek. Forgiving. Generous. Unassuming. And practical. Above all else practical. For those that are familiar with it, think Proverbs 31. Jenny is the essence of a Proverbs 31 woman. So after meeting her, while not overwhelmed by her beauty, he sees that they could live together amicably. They’d “suit” each other. Neither is dishonest. She knows that her husband is in love with another woman. He knows that she knows he’s in love with another woman. Yet this awkward situation somehow doesn’t stay awkward. Not for long. She doesn’t demand love. Her only hope–in the beginning–is for respect and dignity.

b6287847ec4c3441.jpg Civil ContractI loved Jenny. I did. I loved her father Jonathan. The scenes with him are just satisfyingly good. I loved Adam’s aunt Lady Nassington. I loved Adam’s sister Lydia. So many of the characters were just so wonderfully human, so thoroughly developed. I loved this quiet and gentle but always intelligent novel about marriage and love and family.

I wouldn’t say that I liked A Civil Contract better than A Convenient Marriage. But it was so much better than April Lady!

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 Library Loot: Third Trip in August
New Loot:

Lady of the Butterflies by Fiona Mountain
Paul is Undead: The British Zombie Invasion by Alan Goldsher
Shakespeare Undead by Lori Handeland
Rebels and Traitors by Lindsey Davis
The Unknown Ajax by Georgette Heyer
The Spanish Bride by Georgette Heyer
Pistols for Two by Georgette Heyer
The Masqueraders by Georgette Heyer
Romancing Miss Bronte by Juliet Gael
Waltzing at the Piggly Wiggly by Robert Dalby
A Piggly Wiggly Wedding by Robert Dalby
Kissing Babies at the Piggly Wiggly by Robert Dalby
A Matter of Class by Mary Balogh
Lady Vernon and Her Daughter by Jane Rubino and Caitlen Rubino-Bradway
The Trials of the Honorable F. Darcy by Sara Angelini
Dearest Cousin Jane by Jill Pitkeathley

Leftover Loot:

Wench by Dolen Perkins-Valdez
The Private World of Georgette Heyer by Jane Aiken Hodge
Jane Slayre by Charlotte Bronte and Sherri Browning Erwin
Wildfowers of Terezin by Robert Elmer

Library Loot is a weekly event co-hosted by Claire and Marg that encourages bloggers to share the books they’ve checked out from the library. If you’d like to participate, just write up your post-feel free to steal the button-and link it using the Mr. Linky any time during the week. And of course check out what other participants are getting from their libraries!

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 Library Loot: Third Trip in August

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